He has been ridiculed many times – for being a plagiarist and unoriginal. But he ignored the critics, claimed that his movies are not for intellectuals, but kids, and went on to become one of the highest paid directors in India. Now finally Priyadarshan has got recognition at a national level for an un-Priyadarshan type of movie.
The Malayalam director is also pleased about the fact that he beat off competition from none other than film legend Adoor Gopalakrishnan, also from Kerala, who won his seventh National Award, the Best Director nod for his film Naalu Penungal. “Adoor is a legend and the fact that I will receive an award in the same ceremony itself is a thrilling thing. And to top it off I also beat him as a competitor, What could be better,” says Priyadarshan who said that the awards came as a surprise. [This award proves all the naysayers wrong: Priyadarshan]
Next, Ousepachan. Finally he won his first national award, apparently after missing it narrowly for Unnikale Oru Katha Parayam and Freaky Chakra. The uniqueness of the music for Ore Kadal was:
that are all composed in one raga – Shuba Panthuvarali. The evocative, poignant numbers sung by singers like Bombay Jayashri, flautist Naveen Nair, Sujatha, G. Venugopal and youngsters Vineeth Sreenivasan and Swetha, and the composer himself, had enhanced the mood of the film and the theme.
The music composer is all praise for the director of the film, Shyamaprasad, who suggested that he compose all the songs in one raga to retain and accentuate the mood of the theme. To ensure that the songs did not sound monotonous, he “decided to vary the shruti and tempo” of the songs.
“It was a challenge for me. It is not a difficult task to compose songs in certain ragas like Mohanam or Kalyani but Shuba Panthuvarali is a difficult raga and so the director wondered if it would prove to be a difficult task. But, surprisingly, I took only three minutes each to compose four of the songs. It was the title track sung by Naveen that I had to work on,” recalls Ouseppachan. [The Hindu : Friday Review Thiruvananthapuram / Interview : Scoring a winner]
For the same film, Shyama Prasad won the third national award for the best film in Malayalam
“It has been an evolution that has seen me grow as a director and as a filmmaker,” says Shyamaprasad. He adds that although he was disappointed when his film was passed over by the State film awards jury last year, he has no complaints “as awards are elusive and each jury differs and these things happen. However, I did feel bad for Ouseppachan when he did not win an award for his work then. His songs and background score were exceptional and conveyed the story so well. It was an organic part of the film. It was his spontaneity that impressed me.”[The Hindu : Friday Review Thiruvananthapuram : Waves of applause]
According to Rasheed, people often think a make-up artiste’s job is easy. “They think it’s all about doing up an actor’s face, but it is not. We have to do up the parts that are visible on camera too. The latest cameras capture the smallest of details so you have to ensure each wrinkle, each crease on the skin looks natural. It also helps the actors get into the skin of character,” says the man who has won the State film awards for his work in ‘Guru,’ ‘Kunjikoonan’ and ‘Anandabhadram’ to name a few. [The Hindu : Friday Review Thiruvananthapuram / Personality : Turning actors into characters]
Adoor too won the National Award, but that is like saying – the sun rises in the east. Naalu pennungal also won the award for the best editing.
It is a very good feeling [laughs]. I make a film after a long gap. So, every time I make a film, I forget what had happened before. It is a new experience for me every time. So, when I win an award, it makes me very happy. For me, every award is fresh and new. [It’s not just another national award for Adoor Gopalakrishnan: Rediff.com movies]
Less mentioned is the fact that Vipin Vijay won the Special Jury Award for a non-feature film for ‘Poomaram’
The award-winning ‘Poomaram,’ is Vipin’s tribute to Judy Grahn’s radical Metaformic theory and is based on several aspects of her book ‘Blood, Bread and Roses: How Menstruation Created the World.’ “It is a ‘mythographic’ audio-visual observation of the interconnection between ancient menstrual rituals and the development of agriculture, mathematics, writing, calendars (the lunar calendar apparently bears similarities to menstrual cycles) and other realms of knowledge, science and arts,” explains the filmmaker. [The Hindu : Friday Review Thiruvananthapuram / Interview : Accolades for experiments]
Interestingly the best actor award went to Prakash Raj and not Mohanlal for Pardesi. If you look at it, Pardesi handled a sensitive issue and had all those words which would appeal to a jury – alienation, thrisanku swargam, homelessness etc. Also Mohanlal portrayed, with Pattanam Rasheed’s help, three stages in the life of a character. Long time back the finalists for the best actor award as Nedumudi Venu for Minnaminunginte Nuruguvettam and Kamal Haasan for Nayakan. The jury gave the award to Kamal since he portrayed the life span of a character whereas Nedumudi was old throughout the movie. This time that logic did not fly.