A Blog on Cinema

Review: Before the Rains


Adultery is not an uncommon theme in cinema; even Karan Johar has dealt with it in Kabhi Alvida Naa Kehna. The question then is what new angle can a film maker give to this relationship to make it refreshing? Script writers Cathy Rabin and Dan Verete decide to set an adulterous relationship against the backdrop of Kerala in 1937 when the independence movement was rising.

They set up two worlds. The first one is inhabited by the British and chief among them Henry Moores, who wants to build a road in the plantation. Financed by a bank, Moores hopes that this road which will transport spices will make him rich, so that he does not have to depend on his father-in-law. He has one constraint – finish the road before the monsoons. The other world, symbolically located below the British bungalow, is occupied by the natives. Freedom struggle is in the air and various leaders are in the process of enlisting youth to participate in the movement.

The two worlds are connected by two characters. The first one is T.K (Rahul Bose), a native, who is Moore’s right hand man. He stays away from the freedom struggle and even questions the rationale behind it. The second one is Sajani (Nanditha Bose), the servant maid in the bunglow, who has an affair with Moores.

As the work on road progresses, the relationship between Sajani and Moores is discovered by her husband (Lal Paul) and the two worlds collide. When it becomes time for people to take sides, but TK, in an amazing display of servitude becomes a partner in Moores’ crime. He acts so cold that when Sajani goes missing and her brother Manas (Indrajith) collects the villagers to search for her, TK alone stays away.

Soon the pace accelerates and director Santosh Sivan’s camera focuses less on the landscape and more on the characters. The moving shots and closeups heighten the tension as police starts investigating.  The long roving shots which were present in the first half of the film, give way to short scenes in quick succession, accelerating the pace.

The script written by Cathy Rabin  and Dan Verete, based on the Israeli film Asphalt Zahov, focus primarily on TK. He starts off with unquestioning loyalty to the master and becomes a coconut – brown outside and white inside. As the events take over, he slowly transforms and it is this transformation that is the main thread. As he changes, the script writers do not spoon feed the audience with gimmicks or profound dialogue. Instead as the change happens, he joining groups he previously rejected, silently.

To the credit of the script writers they also do not feed us with the cliched caste, curry, cow image of India which is the staple of film makers like Deepa Mehta.  The movie is not melodramatic but  is not without imperfections. The loyalty of TK to Moores could have been explained a bit more as well as the motivation for Sajani to have an affair. There are no subtle hints as well and this makes the story stand on  thin stilts. Even with these imperfections, the movie really transports you to a Kerala 70 years back. The recreation is perfect and upholds the Merchant Ivory standards. The actors in fact become characters and Rahul Bose does a great job emoting with his eyes.

All Santosh Sivan movies have such perfect visuals that a reviewer has to see beyond that maya. We have never been impressed with Santosh Sivan as a director ever since he brutally butchered Asoka and Ananthabhadram, even though they both had absolutely stunning visuals. His Terrorist, we thought, had all the usual art house gimmicks but his picturization of pinakkamano in Ananthabhadram is one of our favorites.  In Before the Rains, he makes a movie which is normal, engrossing and realistic.

(image from wikipedia)


  1. “I admire “The Terrorist” because it sidesteps the ideology, the question of which side is right and which side is wrong, the political motives, the tactical reasons and simply says: Here is a young woman who has decided to kill and be killed for a cause. Look in her eyes, listen to her voice, watch her as she lives for a few days, and ask yourself what motivates her, and why. Every time I see the film, I feel a great sadness, that a human imagination could be so limited that it sees its own extinction as a victory.”
    – Roger Ebert

    “Just what goes through the mind of a terrorist in the moments before their suicidal mission? Sivan’s film may seem slowly paced to many, but his 95 minute film brilliantly pursues his simple but difficult subject as well as any to date. Minimal dialogue, stunning cinematography, and precisely edited sequences seamlessly weave the present and past together in a brilliant study—all the more compelling for the unforgetable and natural performance of the protagonist. The Terrorist demonstrates what a gifted filmmaker Santosh Sivan can be when left to his own devices.”
    -John Nesbit

  2. I dont think there was any need to show the motivation of Sajini’s affair. Their relationship was clearly one of passionate love. And what could be the motivation for that be, other than mutual attraction. Showing that would only add to the length of the movie.

    What I found bit odd was the names of the characters – Sajini, Manas? I dont think people in Iddukki area from pre-independence era have such names. Another thing was the trial by burning spoon ritual. I also doubt whether such rituals existed. Wonder if this scene was there in the original Israeli movie. Seemed to me an addition to show the mystic side of India to the western audience.

    Story and script were just ok. What made the movie enjoyable was the acting and stunning photography and visuals. I think Kerala Tourism should promote this movie 🙂

  3. Happy-Go-Lucky,

    Why would Sajani have an extra-marital affair when she is married? Was she unhappy with her husband? Or was it just passion? Since the former is not shown, it can be inferred that the reason is the latter. That was too much of a subtlety.

    Even Lal’s name – Rajat was odd.

  4. This is a reasonably good watch… A must watch for serious movie viewers from Kerala.

    I also felt two Malayalis (Sajani & T.K) talking to each other in English as odd, even though there were some justifying dialogues in the movie as to why they do that. This was probably a better choice/expediency since there are lots of conversations among these two non-Malayali actors, using their own voice. It would also kill the movie to sub-title all their conversations.

  5. Nanditha Bose is too old to play this role.. 🙂
    Please take note

  6. Great review, VC. Does sound like a promising one.
    Eagerly waiting for the DVD, since I wonder if the film would have a theatrical release here in the near future..

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