My first exposure to a Vidyasagar melody was in 1996—the sublime saranga melody “Thankathingal†(Indraprastham). I felt a unique balance between rhythm and melody in that song and has been a Vidyasagar admirer since. Starting with his entry with the immensely popular “Vennila chandana kinnam†(Azhagiya Raavanan), Vidyasagar is a musician that can change from [...]
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