In the review for Baba Kalyani we wrote
We would have complained more about the camera man, if not for the background score by Rajamani.It is as if Shaji Kailas told Rajamani that there should not even be a single moment of silence in the movie. Due to this his background score is played constantly, like [...]
Sibi Malayil’s Flash seems to have raced itself to the bottom of the pits among the December releases. So anything better than that should be watchable according to the reviewers. Raj Babu’s third movie seems to have the same class as his previous movies (B-grade, stupid etc) and so Prithviraj might have to wait for [...]
We had great expectations for Sibi Malayil’s come back movie, but he seems to have lost sense of cinema during the time he was off. How else do you explain the fact that he agreed to direct such a movie, which is losely based on Manichithathazhu in which Sibi himself worked? The reviewers unanimously agree [...]
Story telling is an art in itself – one that has as its prerequisites three imperative traits; characters with potential, a decisive plot and cautious attention to detail. A good narrator does not use these in isolation; rather he spectacularly weaves them together in a vibrant fabric of creativity and comes up with a mind [...]
She never said she would not act in Tamil or Telugu but would do it only when the right chance came. When comedy king Siddique (of Siddique-Lal) called her to act in his Tamil movie Saadhu Mirandal, she was more than happy. Then you cannot really call it a Tamil movie for the people behind [...]
In our preview, we wrote that Rafi-Mecartin and Rajasenan have just one trick up their sleeves and they repeat it again and again. According to the reviewers, this time it is no different. It is the same comedy routine repeated ad infinitum. One of our regulars, Jibs, had noted that if Dileep did not [...]
My first exposure to a Vidyasagar melody was in 1996—the sublime saranga melody “Thankathingal†(Indraprastham). I felt a unique balance between rhythm and melody in that song and has been a Vidyasagar admirer since. Starting with his entry with the immensely popular “Vennila chandana kinnam†(Azhagiya Raavanan), Vidyasagar is a musician that can change from [...]
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