(Cross-posted at Movie Mazaa)
Adoor Gopalakrishnan’s tribute to Thakazhy Shivasankara Pillai – Naalu Pennungal (Four Women) – chronicles a journey of womanhood across assorted backdrops; a classic amalgamation of source matter and technique that splendidly spans frames and times.
Of the four disjoined narrations The Prostitute is by far the best; Kunju Pennu, the street hustler (Padmapriya) [...]
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