I dont agree that she is childish ..I think she can become a better politician than many of our leaders who keep their
legs in two boats.Now she is preaching about acting only in non glamourous roles but when she was new and badly wanted
a hit in tamil after “Run”she didnt hesitate to act in “Bala”.Later she did the same in maniratnam ‘s ayutha ezuthu…..
So when it comes to big banner and her neccessity she gets “ramesan Nair syndrome”

After soothradharan’s success she and a bunch of young actresses openly declared that they will not act with heroes of
double or more than their age …………….I dont know no now all of tehm have changedtheir minds (maybe now lord brahma
has reduced their ages in teh eyes of these herioines)…………..but now she has successfully changed her stand since
now she has realised that superstarts movies are the trend and so better to be part of that rather than being lost ………
.In a sense I admire nayan in her open attitude of proclaiming that I will glamorous roles to establish myself rather than
preaching something and willfully forgetting them……..

I have due respect to her acting skills and she has done brilliant job as shahina in padam onnu vilapam..but that doesnt mean
she can blurt out anything
She is one among the few who has proved that ” prizes in youth festivals and learning calssical dance” neeed not be the only
criteria to be a good actress……………………

Having said that, she’s a brilliant actor and is very much in her rights to pick and choose her characters depending on the merit of the role, rather than money or the glamour involved. She could very well have continued in Tamil/Telugu ( she has had reasonable success there too) had she decided to shed her inhibitions like her fellow Thiruvallakari Nayan, Asin and Renuka Menon to an extent- the money was always there – the fan following in Andhra and Tamil Nadu was huge – everything was in her favour – yet she did not go that way.

Look at her recent movies – all of them have seen her doing character roles – be it the naughty girl in Sandakozhy, the all-forgiving housewife in Yuva/Ayudha Ezhuthu, the house-wife in Mercury Pookkal, the civil engineer in Achuvinte Amma etc.

Back to the point – Sathyan Anthikad, is one director under whom the heroines might give more than a leg or an arm to act. He doesnt reduce his heroines to mere props. They are all given meaty roles.

To summarise, lets not judge Meera by her immature statements – shes a brilliant actor and lets take pride in that shes a Mallu

Unni-